that munanga linguist

Shorts films about endangered languages and culture form a small niche genre but there are quite a few out there. I've never seen one as gentle and beautiful as L ärr. Films in this micro-genre tend to do a few familiar things. They may be pedagogical videos, focusing on cultural practices that aren't being maintained well enough, and explicitly ask audiences to watch, learn and remember. There might be expressions of serious concern for the language and cultural shifts taking place and we see rhetoric from elders and cultural champions urging for action. Then there are ethnographic films - more 'fly on the wall' views of everyday life where constructing narrative or organising scenes to shoot are not primary concerns. L ärr is a 16-minute look at life with some of the last few speakers of Wägilak in the world, on their country, doing very Wägilak things. But the beauty of L ärr is its softness. The four men in the film let you gently into their world, on the remote out

Bible translators translated the bible into Kriol because they thought it would be the best way for Kriol speakers to learn about Christianity. When Barunga School started a Kriol literacy program, it was because people thought Kriol speakers would learn to read and write faster if they learned literacy in their first language. When Kriol interpreters interpret in court, it's so Kriol speakers can get (marginally more) equal access to the justice system. I could go on... All the reasons I could cite for choosing Kriol over English tend to have foundations of social justice, communicative efficiency, or other social/cultural reasons related to education, spirituality and more. One domain that is absent is economy and business. English remains the language of wealth and business; Kriol is for 'not-for-profit' purposes. Well so I thought until I saw these work vehicles around Ngukurr recently. A plumbing and gas fitting company in Ngukurr helping with the new housing developme